The Decision Support Tool for museum professionals
The reference list below cites the sources consulted for all risks and recommendations compiled in AGATO. It provides both references to literature for single materials in relation to the 10 Agents of Deterioration and information on interaction between different materials. In addition to that, the reference list can act as an overall reference database on Risk Analysis and Preventive Conservation in general.
When using AGATO, the specific references are also accessible trough the 'learn more' link available in every step of the process.
SiLK - SicherheitsLeitfaden Kulturgut or Guidelines for the protection of cultural property (online instrument and knowledgebase), German Conference of National Cultural Institutions (Konferenz Nationaler Kultureinrichtungen / KNK), 2012.
IIC and ICOM-CC 2014 Declaration on environmental guidelines, in Studies in Conservation, 61: sup1, p. 12-17.
Grønlund, M., An evaluation of solid carbon dioxide (CO2) blasting as a cleaning method to remove soot from textiles after smouldering fire and fire, with the possibility to transfer the method to historical textiles within a museum context (online poster), in CeROArt, 2014.
Cheel, V., P. Northover, C. Salter, D. Stevens, G. Grime and B. Jones, The effects of fingerprints on silver, in Mardikian, P., C. Chemello, C. Watter and P. Hull, Metal 2010 Proceedings. october 11-15, 2010, Charleston, 2010, p.233-237.
Art & Architecture Thesaurus® Online (AAT), Harpring, P. (ed.),The Getty Research Institute
Brandschadewiel (online instrument), Landelijk Contact Museumconsulenten en Rijksdienst voor het Cultureel Erfgoed, 2011.
Caring for Your Books and Papers (online resource), Paper, Book & Paintings Conservation section, Victoria & Albert Museum
Diefstal van Objecten: Een Checklist (online document), Rijksdienst voor het Cultureel Erfgoed.
Glass conservation and restoration: current situation and concerns for museums, Actes du colloque Atelier-musée du verre, Trélon, 2007.
Handling Museum Objects e-learning tool (online instrument), Museum of London, 2013.
Inventory, in Gosling K. and G. McKenna (red.), Spectrum 5.0. The UK Museum Collections Standard (online pdf publication), Collections Trust, 2017.
Klimaatverklaring voor erfgoedorganisaties (online document), declaration by: Rijksdienst voor het Cultureel Erfgoed, FARO Vlaams Steunpunt voor Cultureel Erfgoed, ICOM - België - Vlaanderen, ICOM - Nederland, Landelijk Contact van Museumconsulenten, KB - Nationale Bibliotheek, Koninklijk Instituut voor het Kunstpatrimonium, Museumregister Nederland, Museumvereniging, Nationaal Archief, Technische Universiteit Eindhoven, 2022.
Location and movement control, in Gosling K. and G. McKenna (red.), Spectrum 5.0. The UK Museum Collections Standard (online pdf publication), Collections Trust, 2017.
Silver Conservation (online document), Victoria and Albert Museum, London, 2016.
The Iron Gall Ink Website, European Commission on Preservation and Access (ECPA) and Cultural Heritage Agency of the Netherlands.
Waterschadewiel (online pdf instrument), Landelijk Contact Museumconsulenten en Rijksdienst voor het Cultureel Erfgoed, 2015.
A La Recherche Du Métal Perdu. Nouvelles Technologies Dans La Restauration, Meyer-Roudet, H., Ed., Musée Archéologique du Val d'Oise, éd. Errance, 1999.
Security in Museums, Archives and Libraries: A Practical Guide; Slessor, I. K. (ed.), Resource: The Council for Museums, Archives and Libraries: London, 2003.
Součková M., Characterisation of microbial parchment damage based on the assessment of microbiologically accelerated aged parchments, in Larsen, R.(ed.), Improved damage assessment of parchment : IDAP : assessment, data collection and sharing of knowledge, European Commission, Directorate-General for Research and Innovation, Publications Office, 2007.
Dümmler M., Degradation phenomena and conservation, in Nielen, M.-A. (ed.), 4th International Round Table of Seal Conservators (online document), Archives nationales, Sigillum: Paris, 2016, p.11-12.
Pottasch, C., Brandproef Mauritshuis 17 april 2009, (online document: descirption of the research and observation after a fire test in the Mauritshuis), 2010.
Framework for Preserving Heritage Collections. Strategies for Avoiding Damage, (Poster, available on website, Conservation Resources, CCI Publications, Canadian Conservation Institute, CCI), Ottawa, 2015.
Aak, A. et al., Long-tailed silverfish (Ctenolepisma longicaudata) –biology and control, Oslo: Norwegian Institute of Public Health, 2019.
Agostino, A., M. Aceto and S. Castronovo, Authentication of Limoges Enamels by Noninvasive Techniques: The Larcade Collection, in Extended Abstracts, ICOM-CC Enamel Group of the Glass & Ceramics and Metal Working Groups: The Frick Collection, New York, 2010, p 5–16.
Ahmed, H. E. and F. N. Kolisis, A Study on Using of Protease for Removal of Animal Glue Adhesive in Textile Conservation, in Journal of Applied Polymer Science, 2012, 124 (5), 3565–3576.
Alvarez, Á. M. F., A. Mayer, and O. Deparis, Light Scattering Spectroscopy Combined with Principal Component Analysis for Animal Species Identification in Historical Parchments, in OSA Advanced Photonics Congress (AP) 2019 (IPR, Networks, NOMA, SPPCom, PVLED); OSA: Burlingame, California, 2019.
Alvarez, A. M. F., J. Bouhy, M. Dieu, C. Charles and O. Deparis, Animal Species Identification in Parchments by Light. in Scientific Reports, 2019, 9 (1).
Alves, A. N. and M. Frade, The tenth «sense» of preventive conservation - the inventory and study of the Faculty of Fine Arts of the University of Lisbon collections, in: Intangibility Matters – International Conference on the values of tangible heritage, IMaTTe, LNEC, 2017, pp. 181-190
Amosford, A. and M. Stephens, Unfolding the fear: approaching the conservation of fans, in Fairhurst, A., Incompatible Partners? The Challenges of Composite Objects, ICON Textile Group, The Victoria and Albert Museum, London, 2011, p.32-40.
Anaf W., Manual Software, AIRCHECQ Air Identification & Registration for Cultural Heritage: Enhancing Climate Quality, project BR/132/A6/AIRCHECQ, Belgian Research Action through Interdisciplinary Networks, 2012-2017.
Angelova, L. V., Adhesives and Consolidants for Wax and Wax-like Materials: A Review, in Ballestriero, R., O. Burke and F. M. Galassi (Eds.), Ceroplastics: The Art of Wax, L'Erma Di Bretschneider, Rome, 2019, p. 169-183.
Angus, A., M. Kite and T. Sturge, General principles of care, storage and display, in Kite, M. and R. Thomson, Conservation of Leather and Related Materials, Burlington, Massachusetts, Butterworth-Heinemann, 2006.
Ankersmit, B. and M.H.L. Stappers, Managing Indoor Climate Risks in Museums; Cultural Heritage Science; Springer International Publishing: Cham, 2017.
Ankersmit, B., Kragt, W., van Leeuwen, I. & Gombaud, C, The climate in pastel microclimate cardboard boxes when exposed to fluctuating climates, in Preprints ICOM Committee for Conservation, 16th Triennial Conference. ICOM, 2011, pp. 1-9.
Ankersmit, B., Rust Never Sleeps: Recognizing Metals and Their Corrosion Products, Parks Canada, Western and Northern Service Centre, 2008.
Ankersmit, H., N. Tennent and S. Watts, Hydrogen Sulfide and Carbonyl Sulfide in the Museum Environment? Part 1, in Atmospheric Environment, 2005, 39 (4), p. 695–707.
Aptroot, A. and K. van Herk, Algen, mossen en korstmossen. Brochure Techniek 16, Rijksdienst voor Archeologie, Cultuurlandschap en Monumenten, Soest, 2008.
Arends, T., L. Pel, H.L. Schellen, and D. M. J. Smeulders, Relating Relative Humidity Fluctuations to Damage in Oak Panel Paintings by a Simple Experiment, in Studies in Conservation, 2019, 64 (2), p.101–114.
Ash, N., Homolka, S. & Lussier, S., Descriptive terminology for works of art on paper: guidelines for the accurate and consistent description of the materials and techniques of drawings, prints, and collages, Philadelphia: Philadelphia Museum of Art, 2014 [online pdf].
Badea, E., C. Car, W. Vetter, I. Petroviciu, I. Miu, M. Schreiner and G.D. Gatta, How Parchment Responds to Temperature and Relative Humidity: A Combined micro DSC, MHT, SEM and FTIR Study, in ICAMS 2012 – 4th International Conference on Advanced Materials and Systems; Bucharest, 2012, p.487–492.
Badea, E., G. Della and P. Budrugeac, Characterisation and Evaluation of the Environmental Impact on Historical Parchments by Differential Scanning Calorimetry, in Journal of Thermal Analysis and Calorimetry, 2011, 104 (2), 495–506.
Balažic, A., Š. Habicht, M. Smodiš, J. Kolar, and M. Strlič, Extending the Useful Life of Paper - Evaluation of the Effect of Various Preservation Actions, in Padfield, T. and K. Borchersen (eds.), Museum Microclimates, The National Museum of Denmark, 2007, p. 39–41.
Balogh, K., Z. Slížková, and K. Kreislová, The Effects of Bird Excrements on Copper and Bronze, in Structural Analysis of Historical Constructions, Aguilar, R., Torrealva, D., Moreira, S., Pando, M. A., Ramos, L. F., Eds.; RILEM Bookseries; Springer International Publishing: Cham, 2019; Vol. 18, p.1940–1948.
Banik G. and I. Brückle, Paper and Water, a Guide for Conservator, Routledge, New York, 2012.
Barclay R.L., C. Dignard and L. Selwyn, Caring for metal objects (online resource: Preventive conservation guidelines for collections), Canadian Conservation Institute, 2018.
Baril, P., Automatic Sprinkler systems for Museums – Canadian Conservation Institute (CCI) Notes 2/8, (online resource), Canadian Conservation institute, 1998.
Bartl, B., J. Havlín, J. Trejbal, and M. Ďurovič, Efflorescence on the Surface of Beeswax Seals: A Calorimetric Study, in Thermochimica Acta, 2013, 566, p.292–297.
Bäschlin, N. et al., Backing boards and glazing on paintings: their damping capacity in relation to shock impact and vibration, in ICOM-CC, 16th Triennial Conference, Lisbon, Criterio, 2011 , p. 11.
Bendix, C., Damaged Books (online pdf publication), British Library; Preservation Advisory Centre, London, 2010.
Bergin, M. H., S.N. Tripathi,J. Jai Devi, T. Gupta, T., M. Mckenzie, K.S. Rana, M.M. Shafer,A.M. Villalobos,and J.J. Schauer, The Discoloration of the Taj Mahal Due to Particulate Carbon and Dust Deposition, in Environmental Science and Technology, 2015, 49 (2), p.808–812.
Biron I., Glass and heritage objects. Origin and manifestation of the problems encountered. Glass conservation and restoration. Current situation and concerns for museums. Trélon, 2007.
Biron, I., Study of XVth and XVIth Century Painted Enamels through Scientific Analysis: Causes of Glass Deterioration, in Berliner Beiträge zur Archäometrie, 1999, 16, p.163–174.
Birot, A., et al., Dégradations, altérations, conservation des pastels: exemple de la collection du musée des Beaux-arts de Bordeaux, in Support Tracé, n° 13, 2014.
Bizot Group, Bizot Green Protocol, Environmental Sustainability: Reducing Museums' Carbon Footprint, (protocol, London, National Museum Directors' Council, 2015)
Boersma F., A. Brokerhof, S. Van den Berg and J. Tegelaers, Unravelling textiles. A handbook for the preservation of textile collections, London: Archetype Publications Ltd., 2007.
Bolstad-Johnson, D., The Hidden Hazards of Fire Soot, in AIC News, Vol. 35, No. 5, 2010, p.1-5.
Bratasz L., M. Lukomski, A. Klininska-Kopacz, et al., Risk of climate-induced damage in historic textiles, in Strain, 51, 2015, p. 78-88.
Bratasz, L., Allowable microclimatic variations for painted wood in Studies in Conservation, 58 (2), 2013, p. 65-79.
Bratasz, Ł., Allowable microclimatic variations in museums and historic buildings: reviewing the guidelines, in: J. Ashley-Smith, A. Burmester, M. Eibl (eds), Climate for Collections - Standards and Uncertainties, London 2013, p. 11-19.
Brimblecombe, P., et al., Wool and reduced sulphur gases in museum air, in Studies in Conservation, 37, 1992, p.53-60.
Brokerhof A., Risk management for collections. (Online Pdf-publication), Amersfoort, Rijksdienst voor het Cultureel Erfgoed, 2017.
Brokerhof, A. W. et al., Optimum access at minimum risk: the dilemma of displaying Japanese woodblock prints, in Studies in Conservation, vol. 53, sup. 1, 2008, pp. 82-87.
Brokerhof, A. W., B.van Zanen, B. and A. den Teuling, Fluffy Stuff. Integrated Control of Mould in Archives; Amsterdam: Netherlands Institute for Cultural Heritage (ICN), 2007.
Brokerhof, A., Limiting Light Damage in Museum Objects: Light Lines, series: ICN-Information, Instituut Collectie Nederland, 2005, 13, p.1–14.
Brokerhof, A., B. van Zanen, K. van de Watering, H.J. Porc and J. Barnett, Buggy Biz: Integrated Pest Management in Collections, Amsterdam: Instituut Collectie Nederland, Eds.; Netherlands Institute for Cultural Heritage (ICN), 2007.
Brostoff, L., A Complex Problem: Elucidation of Iron Gall Ink Elucidation of Iron Gall Ink Chemistry Through Chemistry Through Collaborative Research, presented at New research on Iron Gall Ink, Preservation Science Symposium, October 11, 2012, Library of Congress, Washington.
Buechner, T. S., W. C. Ughetta, and V. C. Campbell, The Corning Flood: Museum Under Water; The Corning Museum of Glass: Corning, New York, 1977.
Bukovský, V., The Influence of Light on Ageing of Newsprint Paper, in Restaurator , 2000, 21 (2)
Burns, T. & Saunier, P., L'art du pastel, Paris: Citadelles & Mazenod, 2014.
Burns, T., Diagnosing structural mechanisms in caring for unfixed pastels, "dust compressed into paper", in Conservation 360, n°2, 2022, pp. 442-457.
Burns, T., Physical and Conceptual Fragility? Remarks on Exhibiting Pastels from Nineteenth-Century France, in Rocznik Muzeum Naradowego w Warszawie, vol. VI, n° 42, 2017, pp. 156-181.
Buttler, C. J., National Museum of Wales Specimen Condition Survey Form for Geological Collections, in Collection Forum, 1995, 11 (1), p. 1–5.
Caen, J. and N. Cleeren, Verzekerde Bewaring. Glas, (online pdf-publication), FARO. Vlaams steunpunt voor cultureel erfgoed, Brussel, 2014, p 12.
Cano, E., J. M. Bastidas, J. L. Polo, and N. Mora, Study of the Effect of Acetic Acid Vapor on Copper Corrosion at 40% and 80% Relative Humidity, in Journal Electochemical Society, 2001, 148, p.431-437.
Carlyle, L., Cleaning paintings: precautions notes 10/1, revised by Wendy Baker in 2016, (online resource), Canadian Conservation Institute (CCI), 2016
Carlyle, L., Condition Reporting – Paintings. Part I: introduction -CCI notes 10/6, revised by Wendy Baker and Helen Mc Kay and by Wendy Baker in 2018, (online resource), Canadian Conservation Institute (CCI) 2018.
Carnier, M. and M. Preneel, Le Combat Permanent Contre l'eau et La Poussière: Cours de Base Pour La Conservation Des Archives Destiné Aux Collaboratrices et Collaborateurs, Miscellanea Archivistica Manuale, 55, Algemeen Rijksarchief – Archives générales du Royaume: Bruxelles, 2007.
CCI Textile Lab, Textiles and the environment – Canadian Conservation Institute (CCI) Notes 13/1 (Web Resource: Canadian Conservation Institute Notes, Series 13 Textiles and Fibres), 2013.
Ceballos Enríquez, L. Proyecto COREMANS. Criterios de Intervención En Retablos y Escultura Policromada - The COREMANS Project. Intervention Criteria for Altarpieces and Polychrome Sculpture; Ministerio de Educación, Cultura y Deporte, 2017.
Chen, Z., D. Liang, G. Ma, G. Frankel, H. Allen, and R. Kelly, Influence of UV Irradiation and Ozone on Atmospheric Corrosion of Bare Silver, in Corrosion Engineering, Science and Technology, 2010, 45, p.169–180.
Cherblanc, F., J. Berthonneau, and P. Bromblet,The Role of Hydro-Mechanical Coupling in the Damage Process of Limestone Used in Historical Buildings, in SCIENCE and ART: A Future for Stone - Proceedings; University of the West of Scotland: Paisley, Scotland, 2016; pp 13–25.
Chiantore, O. and T. Poli, Indoor Air Quality in Museum Display Cases: Volatile Emissions, Materials Contributions, Impacts, in Atmosphere, 2021 12 (3), 364, p 1-19.
Clamen, M., Museums and the Theft of Works of Art, in Museum, Vol.XXVI, 1; 1974, p.10-20.
Coccato, A., L. Moens, ans P. Vandenabeele, On the Stability of Mediaeval Inorganic Pigments: A Literature Review of the Effect of Climate, Material Selection, Biological Activity, Analysis and Conservation Treatments, in Heritage Science, 2017 5 (12).
Cockerell, S.M., A note on the conservation of some parchment documents damaged by fire, in Business Archives, 33, 1970, p.18-19.
Collections Trust, What's Eating Your Collection? (website), Birmingham Museums.
Corning Museum of Glass, What is glass? (https://www.cmog.org/article/what-is-glass), Corning, 2011.
Dabosi, F., Corrosion, Conservation et restauration des objets en fer, in Le fer; Mangin, M., Ed., Collection "Archéologiques", Editions Errance, 2004, p.107–108.
Dancause R., Wagner J. and Vuori J., Caring for textiles and costumes. Canadian Conservation Institute. 2018.
Daniela Pinna, D., Prevention of Biodeterioration, in Coping with Biological Growth on Stone Heritage Objects, Oakville, Canada: Apple Academic Press, 2017, pp.200–235.
Daniels V., Leese M., The Degradation of Silk by Verdigris. Restaurator. 1995;16:p. 45-63.
Daniels, V., The effects of water treatments on paper with applied pastel or powder pigment, in The Paper Conservator, vol. 22, n° 1, 1998, pp. 29-37. DOI: 10.1080/03094227.1998.9638606
Davison, S., Conservation and Restoration of Glass, Abingdon: Routledge, 2011.
De Clerq, L., Verzekerde bewaring. Steen en Steenachtige Materialen, (online pdf-publication), Brussels, FARO. Vlaams steunpunt voor cultureel erfgoed, 2014.
De Witte, G., Aflevering: Papier (online pdf publication), in VerzekerDe Bewaring, FARO, 2013.
Debry, L., Incolore versus décoloré: les outils et stratégies préventives de contrôle de la lumière pour les matériaux colorés sensibles, BUYLE, M. (ed.), Nouveau regard sur la couleur ancienne en conservation-restauration (actes de colloque, Bruxelles, 16-17 novembre 2023), Brugge, 2024, p. 13-20.
Deknopper, A., Dieren in en op gebouwen - insecten. Brochure, Monumentenwacht Vlaanderen, 2010.
del Hoyo-Meléndez, J.M., Świt, P. and J. Sobczyk, Measuring photostability through glass: the application of microfading testing to the study of framed pastel, in Colouration Technology, n° 134, 2018, pp. 411-422. DOI: 10.1111/cote.12365.
Derbyshire, A. & Ashley-Smith, J., A proposed practical lighting policy for works of art on paper at the V&A, in ICOM Committee for Conservation, n° 1, 1999, pp. 38-41.
Deschaux, J., Flood-Related Impacts on Cultural Heritage, in Floods, Elsevier, 2017, p 53–72.
Dignard C., and J. Mason, Caring for leather, skin and fur (online resource: Preventive conservation guidelines for collections), Canadian Conservation Institute, 2018.
Dirksen, V., The Degredation and Conservation of Leather in Journal of Conservation and Museum Studies, 1997, 3, p.6-15.
Doehne, E.F. and C.A. Price, Stone Conservation: An Overview of Current Research. 2nd ed. Research in Conservation, Los Angeles, CA, Getty Conservation Institute, 2010. http://hdl.handle.net/10020/gci_pubs/stone_cons_2nd_edit
Dorge V. and Howlett C. F., Painted Wood: History and Conservation. Los Angeles, Getty Conservation Institute, 1998.
Downes, S., D. Thickett and S. Lambarth, Damage Assessment and Mitigation Measures for Enamels Displayed in Historic Buildings, in ICOM-CC 19th Triennial Conference Preprints, ed. J. Bridgland, International Council of Museums: Beijing, 2021.
Doytchinov, S., A. Screpanti and G. Leggeri, Effects of Air Pollution on Materials, Including Historic and Cultural Heritage Monuments, in Energia, ambiente e innovazione, EAI Speciale. Knowledge, Diagnostics and Preservation of Cultural Heritage, (II), 2012, p.95-100.
Drayman-Weisser, T., The early painted enamels of limoges in the Walters Art Museum: historical treatments, in: Journal of the American Institute of Conservation, 2003, 42 (2), p. 279-312.
Dubard, V., Pastels, les acquis d'une campagne de restauration, in Grande Galerie. Le journal du Louvre, n° 23, 2013, p. 96-97.
Dubois, M.-L. and N. Vernimme, Schoon Schip. Handleiding Voor Het Courant Onderhoud van Waardevolle Kerkinterieurs, Monumentenwacht Vlaanderen: Brugge, 2001.
Eggert G., Corroding glass, corroding metals: survey of joint metal/glass corrosion products on historic objects, in Corrosion Engineering, Science and Technology, 45, 2010, p.414-419.
Eggert G., A. Bührer, B. Barbier and H. Euler, When Glass and Metal Corrode Together, II: A Black Forest Schäppel and Further Occurrences of Socoformacite, in H. Roemich (ed.), Glass and Ceramics Conservation 2010. ICOM-CC WG 'Glass Ceramics' Interim Meetings, Corning Museum of Glass, 2010, p.174 - 180.
Eggert, G., A. Wollmann and B. Schwahn, When Glass and Metal Corrode Together, in Preprints of the ICOM-CC 15th Triennial Conference. Glass & Ceramics, ed. Bridgland, J., New Delhi, 2008, Vol. I, p. 211–216.
Eggert, G., S. Haselhoff and B. Barbier, When Glass and Metal Corrode Together, III: The Formation of Dicoppertrihydroxyformate, in: Preprints of the ICOM-CC 16th Triennial Meeting; Bridgland, J., Ed., Lisbon, Portugal, 2011; p.1–9.
Eggert, G.,M. Weichert,H. Euler and B. Barbier, Some News about "Black Spots." , in Metal 04: Proceedings of the International Conference on Metals Conservation; National Museum of Australia: Canberra, 2004; pp 142–148.
Ekelund,S., P. van Duin, B. Ankersmit and A. Jorissen, Museum Study of the Climate4Wood Research Project, in The Mechanics of Art Materials and Its Future in Heritage Science, Rogala, D. V., P.T. DePriest, A.E. Charola and R.J. Koestler, Eds., Smithsonian Contributions to Museum Conservation, Smithsonian Scholarly Press, Washington, D.C., 2019, Vol.10 vi., p.31-40.
Elkin, L., C.A. Norris, e.a., Preventive conservation: Collection Storage, New York : Society for the Preservation of Natural History Collections, 2019.
Esser, K., Art-works with an Unfixed Paint Layer on Paper; Guidelines for Handling and Transport, in Journal of Paper Conservation, vol. 12, n° 2, 2011, pp. 3-24.
Ewer, P., Textiles, in Elkin, L., C.A. Norris, e.a., Preventive conservation: Collection Storage, New York : Society for the Preservation of Natural History Collections, 2019, p. 890-891.
Facini, M. et al., Technical exploration of Edgar Degas's ballet scene: a late pastel on tracing paper, in Facture, n° 3, 2017, pp. 112-139.
Florian, M.-L. E., The mechanisms of deterioration in leather, in Kite, M. and R. Thomson, Conservation of Leather and Related Materials, Burlington, Massachusetts, Butterworth-Heinemann, 2006, p. 36-57.
Fontaine-Hodiamont C., Vade-mecum pour la protection et l'entretien du patrimoine artistique : le verre ancien : principes de conservation, d'exposition et d'entretien, Royal Institute for Cultural Heritage (KIK-IRPA), Brussels, 2018.
Fontaine-Hodiamont, C., Antique Glass: Principles of Conservation, Displaying and Maintenance, Vade mecum for the protection and maintenance of cultural heritage, Royal Institute for Cultural Heritage (KIK-IRPA): Brussels, 2019.
Fourneau, M., C. Canon, D. Van Vlaender, M.J. Collins, S. Fiddyment, Y. Poumay, Y. and O. Deparis, Histological Study of Sheep Skin Transformation during the Recreation of Historical Parchment Manufacture, in Heritage Science, 2020, 8 (1), 78.
France, F. et al., Analysis of soiling and trace contaminants or the star-spangled banner, in V.j. Whelan (ed.), Strengthening the Bond: Sience & Textile. (Preprints North American Textile Conservation Conference, Philadelphia Museum of Art), Philadelphia, 2002, p. 153-167.
France, F., Scientific analysis in the identification of textile materials, in R. Janaway and P. Wyeth (ed.), Scientific analysis of ancient and historic textiles. Informing Preservation, Display and Interpretation. Postprints,13-15 July 2004, Archetype Publications, 2005, p.3-11.
Galban, M. and S. J. Wolf, Salvage At A Glance Part V: Textiles 21/8 (Online pdf-publication: Conserve O Gram), National Park Service, 2003.
Garcia, S. R., D. Gilroy and I. D. MacLeod, Metals, in Conservation and Care of Collections (online digitised edition), Western Australian Museum, 2017.
Garcia, S. R., I.M. Godfrey and S.Lussier, Wood, in Conservation and Care of Collections (online publication, digitised edition of original text edited 1998), Western Australian Museum, 2017.
Garside P. and P. Wyeth, Characterization of silk deterioration, in V.J. WHELAN (ed.), North American Textile Conservation Conference. Strengthening the Bond: Science & Textiles (Preprints, Philadelphia, Philadelphia Museum of Art, 5-6 April 2002), Philadelhia, 2002, p. 55-60.
Garside P., P. Wyeth and X. Zhang, The inherent acidic characteristics of silk, part II - weighted silk, in e-Preservation Science, 7, 2010, p.126-131.
Garside P., Wyeth P. and Zhang X., Understanding the ageing behaviour of nineteenth and twentieth century tin‐weighted silks, in Journal of the Institute of Conservation, 33, 2010, p. 179-193.
Garside, P., K. Bradford and L. Thomas, Using Physical Data to Reassess Transport and Handling Policies at the British Library, in ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021, ed. J. Bridgland, International Council of Museums, Paris, 2021.
Gharib, A. and F.S. Madkour, The treatment procedures of Persian metallic objects covered with colored enamels, 18th - 20th centuries AD, in International Journal of Conservation Science, Vol. 5, 4, 2014, p.447-458.
Gibson, L. T. and C. M. Watt, Acetic and Formic Acids Emitted from Wood Samples and Their Effect on Selected Materials in Museum Environments, in Corrosion Science, 2010, 52 (1), p.172–178.
Gilroy , D. and I.M. Godfrey, Preventive Conservation: Agents of Decay, in Conservation and Care of Collections (online publication, digitised edition of original text edited 1998), Western Australian Museum, 2017.
Glenn, S. Wax Objects in Textile Conservation, In Incompatible Partners? The Challenges of Composite Objects, Victoria and Albert Museum, London, 2011, p 6–14.
Göpfrich J., N. Frankenhauser and K. Mackert, Wettlauf mit der Vergänglichkeit. A Race against Transience, Offenbach, Deutsches Ledermuseum / Schuhmuseum Offenbach, 2012.
Gosling K. and G. McKenna (red.), Spectrum 5.0. The UK Museum Collections Standard (online pdf publication), Collections Trust, 2017.
Gramtorp D., K. Bodtfeldt, J. Glastrup and K.P. Simonsen, Investigation and conservation of Anne Marie Carl-Nielsen's wax models, in Studies in Conservation, 60(2), 2015, p.97-106.
Grau-Bové, J. and M. Strlič, Fine Particulate Matter in Indoor Cultural Heritage: A Literature Review, in Heritage Science, 2013, 1 (1), 8.
Grissom, C. A., E. Vicenzi, J. Giaccai, C. France, N.C. Little,A.E. Charola and R.A. Livingston, Analysis and Treatment of the Fire-Damaged Marble Plaque from Thomas Jefferson's Grave Marker, In SCIENCE and ART: A Future for Stone - Proceedings; University of the West of Scotland: Paisley, Scotland, 2016; pp 1129–1136.
Griswold, J., Care of Alabaster (Online pdf-publication: Conserve O Gram), Conserv O Gram 15/1, National Park Service, 2000.
Groves, R. and E. Koldeweij, Gilt Leather Artefacts. White Paper on Material Characterization and Improved Conservation Strategies within NICAS, Delft University of Technology - Netherlands Institute for Conservation Art and Science (NICAS), Amsterdam, 2016.
Guild S., Caring for paper objects, in Preventive conservation guidelines for collections, Canadian Conservation Institute (CCI), Ottawa, 2018.
Guild, S., M. MacDonald and T. Strang, Mould Prevention and Collection Recovery: Guidelines for Heritage Collections – Technical Bulletin 26, CCI Technical Bulletins, Canadian Conservation Institute: Ottawa, 2020.
Hacke, M., Weighted silk: history, analysis and conservation, in Reviews in Conservation 9, 2008, p. 3-15.
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